I’ve been browsing the somewhat peculiar music collection at the main branch of the Santa Monica public library. I’ve come to trust, more or less, the music buyer’s taste in popular music, but have noted a number of quirks, a la the Girls. There’s a group called the Beta Band which is represented by four titles, all of which have been on the shelf each time I checked; they’re clearly not greatly in demand. Is the buyer’s cousin in the band? What’s the cross-pollination between the Beta Band and the Girls? And while one could make a case that Velvet Underground is overrated, well, not even one title? Not even a best of? Please. And then John Cale, the intermittently unlistenable engine of the group, shows up with two solo titles.
But it’s been a mostly positive experience. I got to hear The Cardigans’ version of Black Sabbath’s “Iron Man”, which is hard to top on several scales. I introduced myself to a band called Curve; the CD, Come Clean had a bad track on it, but the ones I could hear ranged from satisfying to very good. I met an intriguing girl group called Tegan and Sara. In fact most of the groups I’ve been exploring have female vocalists, at least. The only real disappointment on that score has come in the lethargic form of Vanessa Carter, a chanteuse with a damp fuse.
Mostly what I’m looking for are perfect songs. Probably hundreds of groups have the chops to produce a perfect song. I suppose that includes heavy metal groups, one of which I picked up because of the title (Burn, Piano Island, Burn) without knowing the genre. I think it’s heavy metal, anyway: lots of screaming and guitar overdubs. There may have been a perfect song on the CD, possibly even the one I listened to for 30 seconds or so, but I wouldn’t know how to recognize it.
Some of the groups and individuals I found were ones I knew well, some were ones I’d had limited experience of, some I knew of but hadn’t heard, and others, like Curve and Tegan and Sara, were entirely new to me. Right now I’m listening to a Ladysmith Black Mambazo CD, Long Walk to Freedom, which includes guest appearances from the likes of Belgian Afropop group Zap Mama and Natalie Merchant (on different tunes), with the song on which Zap Mama appears coming near perfection. It’s a CD best listened to in private, by me anyway, because it’s one of those things.
A surprise was the Paul Westerberg CD, Suicaine Gratification. Westerberg was the front man for The Replacements, a hard-rocking bunch of drunks who were one of my favorite bands back in one of the days (early 1980s). While much of the sentiment remains the same, Westerberg’s solo CD is extraordinarily restrained instrumentally. I’ll have to listen to it a few more times to see whether I’m missing a perfect song, but on the whole it’s enjoyable to this point and at least an interesting counterpoint to The Replacements, to whom I’ve also been listening.
Heard of, never paid much attention to, now enjoying to greater or lesser degrees: The Mekons, The Wallflowers, The Knitters, Patty Larkin. Never even heard of and now enjoying to greater or lesser degrees: Smog, Curve, Tegan and Sara, The Charlatans UK, The Blue Nile. Definitely some perfect songs in that collection of sometimes astonishing artists.
Previous favorites, new (to me) work: Richard Thompson, Billy Bragg, Beth Orton, Rickie Lee Jones, Roseanne Cash, John Hiatt, Dusty Springfield, Steve Earle and others, plus a bunch of music with which I’m intimately familiar but hadn’t heard in a while. More on this later. And yes, I know it’s unbelievable that I don’t know anything about your favorite group or solo artist. What, have I been living in a cave? Sheesh.
In other news, Jonathon Raban has a story on Sarah Palin in the current London Review of Books. Raban manages to combine solid research and writing with a near-hysterical tone. It’s pretty strange. Not that I have anything nice to say about Palin, very far from it, but it’s distracting when people wander off into ad hominem when there’s so much substance to assault.
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