I recently wrote about the relatively unremarked issue of gender dysphoria and believers opting for gender reassignment. I wrote that I had communicated with Assemblies of God leadership about this issue some years ago, and that I believed a position paper is in order — now, not at some later date when it becomes a "real" issue.

And it has begun. I'd say the issue is now real.

While it hasn't surfaced within the Assemblies of God yet, I suspect it will within the next few years. Meanwhile, The Church Report Online released a special report in its May 2007 issue, titled: "Identity Crisis: A Transgender Minister Reappointed to Lead

At 2:40 PM (CST) on Tuesday, September 26, I "appeared" on MSNBC's 'Net review: The Most, with Alison Stewart. Alison's producer spoke with Mark Moring, editor for the Christianity Today Movies channel, wondering if he'd be willing to answer a few questions about Jesus Camp on-air.

Since I'd seen the documentary and recently written an article for CT Movies, he deferred to me. I nervously accepted the opportunity.

I appeared not as a representative of Christianity Today (my employer), but as "a Pentecostal blogger" writing for Christianity Today Movies.

For three minutes, I fielded three questions:

This week, Heidi Ewing and Rachel Grady's indie documentary, Jesus Camp, is set to release, and already the blogosphere is all abuzz about it. I can't wait. I will be catching a pre-release screening of the film through the auspices of Christianity Today International, my employer, and will write my reactions to it as soon as possible. Of course, I'll share it with you.

Upon seeing the trailer, linked below, I was shocked and fascinated. Repelled and embarrassed. And angry. You see, I went to these camps as a kid. I witnessed this kind of exuberant excess, only I saw it with the eyes of an insider, both as a teenager and later as a camp counselor. I have seen the pseudo exorcisms (I sincerely doubt any of the exhibitions I saw at the altar were genuine possession) and I've seen my peers faint and wooden on the floor, both praising, weeping, and sometimes faking it.

And, looking back, it is a little creepy. But it was also formative.