Spider-Man 3 Bible Study / Discussion Guide
Posted in: Religion, Bible and Theology, Random Miscellany
My Spider-Man 3 movie-based Bible Study is here, at long last! I have permission from CTI to provide the study here on my site. Over the next few days or weeks, I’ll post the previous combo-study I wrote for Spider-Man 1 and Spider-Man 2 as well.
Warning: the following contains spoilers! Stop now and do not read below this paragraph if you hate knowing anything beyond what the trailers reveal.
Spider-Man 3
The greatest battle lies … within
The first two Spider-Man films established Peter Parker and his super-heroic alter-ego as a popular and profitable theatrical draw: Spidey is loveably unstoppable and Peter Parker is the nice boy everybody wants to see “get the girl.”
But Spider-Man 3 severs those silky threads of comfortable niceness, dumping Peter Parker and Spider-Man into a dark abyss where evil infects the heart and vengeance slakes its thirst.
This guide will help you discuss some of the spiritual themes of Spider-Man 3, focusing on pride, the struggle against sin, and forgiveness. Feel free to use this as a starting-point for discussion and explore any other themes you feel appropriate to your small group.
Movie Summary
In Spider-Man Peter Parker was an excited kid testing his boundaries and learning how to use fantastic powers responsibly and for the good of society. In Spider-Man 2, he was sick with unspoken love and the unbearable burden of using power wisely. Laying aside his suit and mask, Peter Parker became nearly impotent until Mary Jane’s life was threatened and he rediscovers his purpose through sacrifice. As that film closes, Mary Jane at last learns of Parker’s love for her, and his super-hero identity.
As the third chapter in Parker’s life opens, we fully expect to hear wedding bells. Instead, we see Parker still in love but struggling with commitment and insecurity even while a crime-free city celebrates his alter-ego, awarding Spider-Man the key to the city. Parker is trapped in a knotted skein of conceit and self-doubt.
The film starts out romantically enough, with the timeless beauty, Mary Jane, lounging in the center of Parker’s web and still the center of his life. But an ominous falling star is prelude to a venomous creature quietly attaching itself to Parker without his knowledge. The action starts When Harry Osborn, Parker’s best friend and heir to the Norman Osborn legacy (insanity included), attacks the love-struck Parker, nearly killing himself in the process. In short order Parker saves his mortal enemy’s life only to permanently disfigure him later, spurns Mary Jane with a thoughtless bit of grandstanding, learns the true identity of his uncle’s killer, is infected by the evil ooze from outer space, attempts murder himself, and faces a tremendous battle on multiple fronts, both internal and external.
For more coverage of the Spider-Man movies, visit Christianity Today’s Movies Channel:
Spider-Man 3, trumps its two predecessors both in the numbers of villains and the amount of violence on-screen, earning it a PG-13 rating. While this film may be suitable for teens, parents should screen the film before allowing younger children to view it. There is also some profane language.
If warding off Harry as the new Green Goblin isn’t enough, Spider-Man also has to face Flint Marko, his uncle’s killer, who — by way of the usual freak accident — has become a nebulous shape-shifting whirlwind of sand. When the space-borne symbiote infects Parker, he gains even more power and abilities than he previously enjoyed, but along with the power comes a compulsion to aggression and vengeance that the proud and complacent Parker is unprepared to resist.
As the film concludes, Parker has to find a way to not only resist the symbiote but also to destroy it as when its new host, Eddie Brock, joins league with the Sandman to threaten Mary Jane and destroy Spider-Man for good.
Discussing the Scenes
Select one or more of these themes to discuss:
1. Pride Before the Fall
(Proverbs 11:1-3; Proverbs 16:8; Proverbs 29:23; Psalm 10:4)
The film opens with Peter Parker introducing himself in voiceover, and it’s difficult to ignore the subtext of both pride and lingering insecurity:
“I guess I’ve had something to do with that.
“My uncle Ben would be proud.”
Later, when Mary Jane is struggling over critical reviews and her own insecurities as an actress, Parker offers up less-than-helpful clichês from his own experience as Spider-Man who has — he admits with vanishing humility — “become something of an icon:”
Parker’s ultimate fall begins as he infected by evil, surrendering to a hunger for vengeance — and becoming enslaved by it. As the dark symbiote threatens to take over not only his suit but his very soul, he revels in a new-found “bad-boy” persona. We watch the devolution of Peter Parker as he maims his best friend, struts and flirts audaciously, destroys his uncle’s murderer Flint Marko, humiliates his newspaper rival Eddie Brock, and uses his lab partner, Gwen Stacy, to crush Mary Jane’s heart.
Pride is the exaltation of one’s self above all others. As Peter’s arrogance swells, he sees Mary Jane’s plight only in light of his own conceit. And even as M.J. reaches out to him from her own pain, knowing that Parker is giving in to blood lust for Flint Marko, he rejects her help, cutting her off: “Okay. I get it. Thank you, but … I’m fine. I don’t need your help.”
The moment Parker isolates himself in misery, cutting himself off from others, that’s when the symbiote takes over.
2. The Battle Within
(Romans 7:14-19; Romans 8:5-17; Romans 12; Philippians 2:1-18; Philippians 4:8-9)
Immediately after learning that Flint Marko killed his uncle Ben, Peter Parker wants justice, but wants it on his terms, in his way, by his own hand. Ultimately, Parker’s desire is not for mere justice but vengeance, which Aunt May describes this way:
All sin, vengeance included, is transformative: it corrupts from within, working its way out through our words, actions, and even inaction. When caught or snared in sin, even the believer has a difficult time doing what is right. As Paul describes in Romans 7:18-19:
Read Romans 12.
Read Philippians 4:8-9.
3. Forgiveness and Redemption
(Matthew 6:9-13; Matthew 18:15-35; Luke 7:36-50; Luke 11:2-4; Ephesians 4:29-32)
The primary emotion driving Peter Parker / Spider-Man throughout this film is vengeance. On the surface, Spider-Man is just doing his job: helping to stop crime and fight evil. Even if he felt nothing toward Flint Marko, Spider-Man would still have had to stop the Sandman from theft and mayhem. Even if he had never seen the black, gooey parasite from space, Spider-Man would still have had to stop it in whatever form it took. And even if Parker had not been Harry Osborn’s best friend, he would have still had to deal with Harry’s madness, just as he had to deal with Norman Osborn’s insanity.
But each of these cases it gets personal. Parker has a real hatred toward Marko for having killed his uncle Ben, and he intends to make him pay with his life because “he deserved it.” And the infected Spider-Man taunts Harry with mocking words, goading him into carelessness and justifying a satisfying coup de grace. With Venom, it became personal because Parker not only opposed its new host, Eddie Brock, but he utterly humiliated him, destroying his career and reputation.
Of course, other characters also struggle with forgiveness and old grudges. Harry Osborn is being driven mad in his belief that Peter Parker as Spider-Man killed his father. Eddie Brock cannot bring himself to forgive Parker for revealing his deplorable journalistic ethics. In fact, he prays to God: “It’s Brock, sir. Edward Brock, Junior. I come before you today, humbled and humiliated to ask you for one thing — I want you to kill Peter Parker.” Mary Jane struggles with her humiliation when Spider-Man kisses Gwen Stacy in public — with their kiss! Marko’s wife cannot forgive his sin, and Marko cannot forgive himself.
While all the crossed lines of bitterness and sin don’t get resolved in the storyline, by the end of the film, Peter Parker releases Marko from his debt of guilt, Harry Osborn releases his unfounded bitterness and forgives Parker, and Mary Jane forgives Parker for his actions while under the influence of pride and the poisonous goo.
But the most stunning sequence in the film is when Parker literally tears the black ooze out of his body in the form of the black suit. It is almost a near-perfect metaphor for repentance and redemption as he crouches underneath the cross free of his stain, washed clean by rain from above.
In Matthew 6:9-13 and Luke 11:2-4), Jesus gives us a model for prayer. In it, he demonstrates how we ought to pray regarding forgiveness: “Forgive us our sins, for we also forgive everyone who sins against us.”
As the Credits Roll:
What do you think about that? Do our choices make us who we are, or are we revealed by the kind of choices we make? What’s the difference?
Based on:
Spider-Man 3 (Columbia Pictures and Marvel Enterprises, 2007); screenplay by Sam Raimi, Ivan Raimi, and Alvin Sargent; directed by Sam Raimi; based on the Marvel comic book character, Spider-Man, created by Stan Lee and Steve Ditko. Rated PG-13.
—Study by Rich Tatum, blogger, freelance writer,
and former CTI online media editor.
Copyright © 2007, Christianity Today International, all rights reserved.
Used with permission.
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