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Posts Tagged ‘itunes’

Video on devices like the iPod, iTouch and iPhone look great because of their MPEG-4 H.264 format. The good news is that there are tons of videos that you can purchase from the iTunes store, but the bad news is that you’ll go broke in a hurry downloading everything you want. Sure, some of the videos aren’t much ($1.99 each), but the numbers add up really quickly.

If you own an Apple TV, you’re probably frustrated by the fact that most videos you download from various parts of the Web aren’t compatible with it. If they were, it would be a mere matter of seconds between the time you finished the download and sat down to watch the video in your lounge room.

There is a way around the hassle of constantly converting videos, though, with a bit of software and trickery. We take you through the steps to automating the conversion process and show you how to fix video metadata in iTunes, which is infamous for not allowing you to change the video kind from movie to TV show or music video if you acquired the media from anywhere but the iTunes Store.

Lala started out as a CD-swapping service, which didn’t really work all that well. Now, they’ve switched to a completely new business model, which can best be described as a cross between Pandora and iTunes. You can buy albums, that’s the standard part of any online music shop. You can also stream all of the songs from Lala’s library once. But, this is the catch: if you purchase a song for mere 10 cents, you can listen to it indefinitely on Lala’s web radio. At the same time, they have no advertising on the site whatsoever.

Apple claims to have sold 200 million TV episodes to date, including one million sold in HD format since the option became available in September. And in customary fashion, the company is looking to expand on those figures with three primary pursuits: more selection, more selection, and more selection still.

Following a summer season chock-full of game-show and reality programming, this fall Apple is making an effort to provide as many dramas and comedies and the like from as many networks as possible for iTunes shoppers. The company now names ABC, CBS, FOX, and NBC as HD-friendly within the pages of its storefront.

Research in Motion plans to counter Apple (and Google) by launching its own app store – dubbed BlackBerry Application Center. Judging from the early screenshots and feature list from Crackberry.com, the store will be a mix of free applications – like Facebook for BlackBerry – and paid applications – like Telenav, the GPS driving directions app long offered with supporting BlackBerry devices. Users will be able to buy apps via the device, which will in turn be charged to their phone bill.

The music business has to be one of the most contentious online of all industries with so many players involved. On one side you have the record labels who are facing an ever increasing devaluation of their physical media business. You have the trade organizations for the music industry trying to maintain their power base and millions of dollars of income. Then there are all the online providers of downloadable content trying to eek out marginal profit margins; if you can count millions of dollars as marginal. The last two players of this complex game of power and money are the musicians themselves and us - the fans, the listeners, the purchasers of all that music.

Napster, the original peer-to-peer music sharing network that has since transformed itself into a legal subscription service, is being acquired by Best Buy. The electronics retailing giant will be paying $121 million to buy Napster – a more than 85% premium to where Napster’s beleaguered shares were trading as of Friday.

Although Napster was able to sign up more than 700,000 subscribers, the service was never profitable and was on track to run out of cash sometime next year. Under Best Buy’s ownership, that problem is resolved, and the combined companies are confident that they can use Best Buy’s massive reach and distribution to improve the business, in addition to leveraging Napster to sell other digital products to consumers.

MySpace Music, the social network’s foray into free streaming and digital downloads, has some grand ambitions. Co-Founder Chris DeWolfe compares it to the rise of MTV, telling Fortune, “… how they created pop culture in the late ‘80s, early ‘90s. I think that’s what MySpace Music will do now.â€

Stepping aside from the visions of grandeur, MySpace Music is more than anything an experiment in scale. The site has tens of millions of users, many of who fall into the demographic that most aggressively consumes music. Additionally, virtually every major artist under the sun already has a presence on the site, with tens of thousands of “friends†to whom they can sell music, merchandise, and concert tickets.

In the world of paid digital music downloads, there’s iTunes, Amazon MP3, maybe the Zune Marketplace and eMusic a rung or two lower on the industry ladder. The rest seem to comprise the land of the unspoken. Even Microsoft’s efforts and the indie fave eMusic are susceptible to falling into insignificance. After all, the music industry as a whole, as with virtually any market of capitalist design, tends to support winners. The tracks go where the traffic is. Most of the time anyway. Enough for the strongest of players to claim ubiquity and permanent and unchallenged staying power, and for those underneath to struggle for breath.

One of my fondest memories as a kid was saving up my money and making the trip to the record store where I would spend what seemed like hours going through the LP bins. Finally, I would narrow down my selection to what money I had in my pocket. Sometimes I would be able to get only one album, maybe two or on those rare occasions when there was a sale going on I’d get more. I can still remember the very first album that I bought was YesSongs by Yes, which was followed a couple weeks later by a purchase of Brain Salad Surgery by Emerson, Lake and Palmer.

Good luck, T-Mobile. If recently claims that the wireless operator’s USA division plans the introduction of a mobile application store in a vein similar to Apple’s own popular adventure are accurate, the carrier, currently the fourth-largest in the country, could have something of a resurgence. “Could” being the keyword.

Despite the Apple fanclub’s predilection for viewing the company’s so-called seamless integration of elegance within the iPod-iPhone-iTunes paradigm as all but insurmountable, in terms of consumer interest and sales, I am one to think that, unlike with the iPod’s hold on the portable music player business, Apple will have a tougher time convincing the world of its marvelousness amid competing smartphone platforms. Yet it may also be presumptuous to think a carrier like T-Mobile USA will follow the success of iPhone 2.0 with an application storefront which too proves very lucrative.

Last.fm announced today that it has made its service available to Japan and will start streaming music to the country in an effort to expand its presence across the world.  Lost amidst the otherwise mundane news, the company also included an interesting fact: since offering its free on-demand service that lets you stream full songs three times, its click-through purchase rates are up an astounding 119 percent.

The company (rightfully so) believes this success is due to its willingness to let you stream the entire song before you decide whether or not you want to purchase it.

There’s a reason I like my Bose system better than any other I’ve had: I can tell it which songs I don’t like, and my shuffle feature eventually plays only the stuff I want to hear. It sounds a lot like the Pandora process, but with the music you’ve collected. And I’m guessing your mp3 catalog is starting to become as populous and diverse as your CD collection from a decade ago. So why can’t your iPod learn your behavior?

Next New Networks, a Web video company with popular networks such as “Veracifier,†“BarelyPolitical,†and “Channel Frederator,†to its name, and which just a few months ago signed a major distribution deal with MySpace TV, has now inked partnerships with the likes of Metacafe, Yahoo, and Hulu.

This effectively drives Next New Networks’ reach across the media delivery market to become one of the top producers. The company purports to be “the number one online video syndicator garnering more views than giants such as HBO, Fox and Warner Brothers,†according to research by TubeMogul, an industry distributor and analyst, which Next New Networks employs to push content to various channels.

For many consumers of (paid-for) digital downloads today, the name eMusic may not carry the same weight as, say, iTunes, or the well-stocked and fast-rising Amazon MP3. In fact, I wouldn’t think it too much to say that a large swath of the downloader demographic are entirely unfamiliar with the indie music storefront. Which may be why the company is looking to “break out†of its present audio-only repertoire, perhaps to give the budding sellers of television programs on the Web another party to compete with.

The ascent of the iTunes Store has been consistently touted as industry-changing, and not without reason. In the past five years, the Web-based marketplace for downloadable media has gone from startup size to one which, not very long after launch, began to tally sales in the billions, and soon made its big media partners grow hesitant of its influence on music sales and associated pricing controls.

By coincidence, I just saw Kid Rock live a couple of days ago. He basically stole a bunch of big riffs from rock legends, stitching them together in a neverending breakdown-chorus combo, which sounds powerful for the first 10 minutes and boring for the next 50. No wonder he’s cool with stealing - not just “stealing music,” but stealing anything, like gas from a gas station.

He’s being cynical, of course. In an interview with the BBC he gave a bunch of cool sounding statements which are well suited to uphold his cock-rock superstar attitude but offer little in the way of substance. Bottom line: he’s boycotting iTunes because it’s “an old system, where iTunes takes the money, the record company takes the money, and they don’t give it to the artists.”

Digital media distribution is done a number of ways now. Through channels such as iTunes; streaming music and video services, like Hulu; and through producers’ own websites, to name a few.

For some time there has also been the option to co-brand a media player. Deals arranged between Miro and businesses like Revision3 and Deutsche Welle are just a couple of examples of this.

Now media owners are given the option to brand a media player developed by zSlide, a Paris-based creator of digital media solutions and services. The player, called Omega Tribes, allows producers to affix their own branding to so-called “white label†software.

There is always room for one more Twitter-loving site, right? The latest tool that has latched on to the Twitter train is Tweet2Win.com.

It’s one of simplest sites I have come across. With Tweet2Win all you need is half a brain and a Twitter account:

If you tweet about the site then you are automatically entered into a raffle for a $150 gift certificate from either Amazon, eBay, Victoria’s Secret, iTunes, or Overstock.com. You can even increase your chance of winning by blogging about the site. (Heh).

Qloud, the music service created by Steve Case that combines search features with sharing and networking, announced today that its My Music application will be available on MySpace.

The application, which is popular on Facebook, Friendster, Hi5 and Bebo, allows you to import and play entire songs and videos from your iTunes library for free. Qloud categorizes songs by recently played, most played, top artists, playlist and top rated.

With the iTunes plugin you can also play music from your friends’ libraries, trade playlists, search for music from their friends, and add new songs to your own library.

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