Only images available
Go to Google Book Search Home
 About this book Preview this book

Hitchcock

 By Robert E. Kapsis
From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in--and criticism of--the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. "Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?"--Anthony Perkins

More details

Hitchcock: The Making of a Reputation
By Robert E. Kapsis
Published by University of Chicago Press, 1992
ISBN 0226424898, 9780226424897
330 pages

Add to my library
Write review

Contents

16
North by Northwest, Vertigo, Alfred Hitchcock Presents
69
Alfred Hitchcock, spy films, James Bond
122
Hitchcock, Tippi Hedren, feminist
158
Psycho II, Halloween II, John Carpenter
188
Dressed to Kill, Body Double, Jonas Mekas
216
Dirty Harry, Vladimir Horowitz, Clint Eastwood
247
British International Picture, Alfred Hitchcock Presents, film noir
279
308

Popular passages

The Birds finds Hitchcock at the summit of his artistic powers. His is the only contemporary style that unites the divergent classical traditions of Murnau (camera movement) and Eisenstein (montage). (Welles, for example, owes more to Murnau, while Resnais is closer to Eisenstein.) If formal excellence is still a valid criterion for film criticism— and there are those who will argue that it is not — then The Birds is probably the picture of the year. - Page 144

Hitchcock teased us by killing off the one marquee-name star early in "Psycho," a gambit which startled us not just because of the suddenness of the murder or how it was committed but because it broke a box-office convention and so it was a joke played on what audiences have learned to expect. He broke the rules of the movie game and our response demonstrated how aware we are of commercial considerations. When movies are bad (and in the bad parts of good movies) our awareness of the mechanics and... - Page 116

Susskind and the moralistic reviewers chastise us for not patronizing what they think we should, 'realistic' movies that would be good for us — like A Raisin in the Sun, where we could learn the lesson that a Negro family can be as dreary as a white family. Movie audiences will take a lot of garbage, but it's pretty hard to make us queue up for pedagogy. At the movies we want a different kind of truth, something that surprises us and registers with us as funny or accurate or maybe amazing, maybe... - Page 115

It takes as starting point the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking and spectacle. - Page 140

Becker suggests that artists produce an art work, "at least in part, by anticipating how other people will respond, emotionally and cognitively, to what they do. That gives them the means with which to shape it further, by catering to already existing dispositions in the audience, or by trying to train the audience into something new - Page 13

After years of tortured revaluation, I am now prepared to stake my critical reputation, such as it is, on the proposition that Alfred Hitchcock is artistically superior to Robert Bresson by every criterion of excellence and, further, that, film for film, director for director, the American cinema has been consistently superior to that of the rest of the world from 1915 through 1962. - Page 80

It's a very exciting story to tell, and it's also a male/female thing - a very romantic love story.'23 Thus, to quote Robert E. Kapsis, 'which genres finally get made depends on how organizational gatekeepers at various stages of the film production process assess the potential product in relation to their perception of the audience's future tastes'.24 In the event, industry figures suggest that 50 per cent of the film's cinema audience in Britain was... - Page 14

Film directors live with their pictures while they are being made. They are their babies just as much as an author's novel is the offspring of his imagination. And that seems to make it all the more certain that when moving pictures are really artistic they will be created entirely by one man. - Page 28

Reviews

Kapsis, Robert E. Hitchock: The Making of a Reputation. Chicago: University of Chicago Press, 1992. After more than twenty years, if we date its inception ...
jhu.edu

References from web pages

Kapsis, Robert E.: Hitchcock
Kapsis, Robert E. Hitchcock: The Making of a Reputation. 330 p., 40 halftones, frontispiece. 6 x 9 1992. Paper $26.00 ISBN: 978-0-226-42489-7 (ISBN-10: ...
www.press.uchicago.edu/ cgi-bin/ hfs.cgi/ 00/ 7911.ctl

Emory University Dr
Kapsis, Hitchcock: the Making of a Reputation, Ch.2-3, Film clips. Evening Showing: Marnie. Nov 14 More on "the critic's Hitchcock (Presentation Option) ...
www.sociology.emory.edu/ syllabi/ soc190f_ah.pdf

JSTOR: Hitchcock on Hitchcock: Selected Writings and Interviews
Astounded as we might be at Robert Kapsis's revelations (in Hitchcock: The Making of a Reputation) of how care- fully Hitchcock managed his public image ...
links.jstor.org/ sici?sici=0015-1386(199623)50%3A1%3C53%3AHOHSWA%3E2.0.CO%3B2-L

the rise and fall of the anthology series on american television ...
Kapsis, Robert E. Hitchcock: The Making of a Reputation. Chicago: The University of Chicago Press, 1992. mccarty, John and Kelleher, Brian. ...
www.acmi.net.au/ anthology_americantv.htm

The Bloody Olive
But an even more important ingredient was, as Robert E. Kapsis writes in his book Hitchcock. The Making of a Reputation,[1] the "reliance on the short-story ...
pov.imv.au.dk/ Issue_05/ section_3/ artc5A.html

cas515fall2002syllabus
discussion of Rober Kapsis, Hitchcock: The Making of a Reputation. (9). Tues Oct 22 Thurs Oct 24. Strangers on a Train (1951) ...
www.personal.psu.edu/ t3b/ courses/ CAS%20515%20Fall%202002/ cas515fall2002syllabus.htm

Cineaste: Can Hitchcock be saved from Hitchcock studies?
As Robert Kapsis has noted in Hitchcock: The Making of a Reputation, Alfred Hitchcock always courted the press. From the early years in England working for ...
findarticles.com/ p/ articles/ mi_go1602/ is_200309/ ai_n9364872/ print

C326 Authorship in the Media Alfred Hitchcock and the Thriller ...
Robert E. Kapsis, Hitchcock: The Making of a Reputation (Chicago: University of Chicago Press,. 1992). Readings on Reserve: ...
www.indiana.edu/ ~cmcl/ fmsw/ ugrad/ syllabi/ C326Hitchcock2005forsending.pdf

Play It Again, Sam "d0e500"
Kapsis, Robert E. Hitchcock: The Making of a Reputation . Chicago: Univ. of Chicago Press, 1992. Modleski, Tania. The Women Who Knew Too Much: Hitchcock and ...
content.cdlib.org/ xtf/ view?docId=ft1j49n6d3& doc.view=content& chunk.id=d0e500& toc.depth=1& anchor.id=0& brand=eschol

Les Oiseaux (Hitchcock) - Wikipédia
... The Birds, British Film Institute, 1998; (en) Robert E. Kapsis, Hitchcock : The Making of a Reputation, University of Chicago Press, 1992. Documentaire ...
fr.wikipedia.org/ wiki/ Les_Oiseaux_(Hitchcock)

References from books

Horror Film and Psychoanalysis: Freud's Worst Nightmare

Horror Film and Psychoanalysis: Freud's Worst Nightmare

by Steven Jay Schneider - Performing Arts - 2004 - 299 pages
This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinemain a series of essays that debate its legitimacy, utility, and validity as...
Feminist Hollywood: From Born in Flames to Point Break

Feminist Hollywood: From Born in Flames to Point Break

by Christina Lane - Social Science - 2000 - 261 pages
Feminist Hollywood 01examines the differences between commercial cinema and counter cinema by focusingon the work of contemporary women directors who have entered Hollywood from...
show more »

Other editions

Hitchcock: The Making of a Reputation

Hitchcock: The Making of a Reputation

by Robert E. Kapsis - Performing Arts - 1992 - 330 pages
"--Anthony Perkins In this book, the author explains the forces behind Hitchcock's changingcritical fortunes, and shows how Hitchcock's legacy and reputation shed...
Hitchcock: The Making of a Reputation

Hitchcock: The Making of a Reputation

by Robert E. Kapsis - Performing Arts - 1992 - 330 pages
"--Anthony Perkins In this book, the author explains the forces behind Hitchcock's changingcritical fortunes, and shows how Hitchcock's legacy and reputation shed...
Hitchcock: The Making of a Reputation

Hitchcock: The Making of a Reputation

by Robert E. Kapsis - Performing Arts - 1992 - 330 pages
"--Anthony Perkins In this book, the author explains the forces behind Hitchcock's changingcritical fortunes, and shows how Hitchcock's legacy and reputation shed...
show more »

References from scholarly works

Critical Discourse and the Cultural Consecration of American Films
Michael Patrick Allen, Anne E Lincoln - 2004 - Social Forces

‘the Hulk, An Ang Lee Film’
Martin Flanagan - 2004 - New Review of Film and Television Studies

Auteur discourse and the cultural consecration of American films
Alexander Hicks, Velina Petrova - 2006 - Poetics

Trans/actions: Art, Film and Death.
Bruce Alistair Barber - 2005

Hollywood-Lacan-Hollywood
Marcela Romero

show more »

Related books

The Complete Films of Alfred Hitchcock

The Complete Films of Alfred Hitchcock

by Robert A. Harris, Michael S. Lasky - Performing Arts - 2002 - 256 pages
First published 1976.
The Films of Alfred Hitchcock

The Films of Alfred Hitchcock

by David Sterritt - Performing Arts - 1993 - 165 pages
Blackmail -- Shadow of a Doubt -- The Wrong Man -- Vertigo -- Psycho -- The Birds.
Hitchcock: Past and Future

Hitchcock: Past and Future

by Richard Allen, S. Ishii-Gonzalès - Biography & Autobiography - 2004 - 284 pages
This new collection of writings on Alfred Hitchcock celebrates the remarkable depth and scope of hisartistic achievement in film.
show more »

Key terms

Places mentioned in this book

Beverly Hills - Page 264
Los Angeles - Page 193
Following its premiere in 1972 at a trade show in Los Angeles, the film received excellent notices in the trade papers, where reviewers compared it ...
more pages: 71 91 157 254
New York - Page 71
putting together a book of conversations with Hitchcock as a vehicle for upgrading his reputation in America, especially among New York film critics. ...
more pages: 47 93 99 203 224 231 254 258 264 276
Bodega Bay, California - Page 77
It was now March, and Hitchcock was already on location at Bodega Bay, California, shooting the picture. Pritchett's critique of the script paralleled ...
La Jolla - Page 66
out many of the film's broader implications: We have documented proof in the office of birds invading a home in La Jolla, a city near San Diego. ...
San Diego - Page 66
out many of the film's broader implications: We have documented proof in the office of birds invading a home in La Jolla, a city near San Diego. ...
Philadelphia - Page 84
The caption reads, "On holiday from his lethal life as Bond, Connery plays a wealthy Philadelphia publisher who marries a beautiful thief in Alfred ...
Queens, New York - Page 45
Based on a real incident, this bleak and depressing film tells the story of an ordinary man, Christopher (Manny) Balestrero of Queens, New York, ...
Culver City - Page 25
As long as Hitchcock played his act on the road and not in the executive offices of Culver City, no one strenuously objected; his contract, after all, ...
Escobedo - Page 229
If crime were caused by super-evil dragons, there would be no Miranda, no Escobedo; we could all be licensed to kill, like Dirty Harry. ...
Phoenix - Page 141
In Psycho, when Marion Crane drives from Phoenix to California, says Wood, audiences are "restricted almost exclusively to her vision and emotions"; ...
more pages: 195
San Francisco - Page 50
on those who liked to be vicariously transported to glamorous and scenic spots like the French Riviera, French Morocco, and San Francisco. ...
more pages: 51
Chicago - Page 157
I would argue that this charge is less applicable to American reviewers, especially those working out of major cities such as New York, Chicago, ...
more pages: 55 165 214 296
Sacramento, California - Page 57
"It takes place near Sacramento, California, at a dark and gloomy motel. Some very ordinary people meet other ordinary people and horror and death ...
West Hollywood, Calif - Page 295
West Hollywood, Calif. Rafferty, Terrence. 1987. Review of The Stepfather. Nation, 30 May. Rainer, Peter. 1984. Review of Body Double. ...
Englewood Cliffs, NJ - Page 291
Macdonald, Dwight. 1963. Review of The Birds. Esquire, October. 1969. Dwight Macdonald On Movies. Englewood Cliffs, NJ: Prentice-Hall.
more pages: 292
Salem, NH - Page 285
Salem, NH: Salem House. Esterow, Milton. 1956. "All Around the Town with The Wrong Man." New York Times, 29 April. Evening News. 1926. ...
Belmont, Calif - Page 286
Belmont, Calif.: Wads worth. Goodman, Walter. 1976. "The Man Who Would Be Hitchcock." New York Times. Sunday, 8 August. Graham, Sheila. 1960. ...
Secaucus, NJ - Page 294
Secaucus, NJ: The Citadel Press. Pacey, Ann. 1964. Review of Mamie. Daily Herald (London), lOJuly. Palmer, Jerry. 1979. ...
Norwood, NJ - Page 289
5, Norwood, NJ: Ablex Publishing, 68-85. Kauffmann, Stanley. 1963a. Review of The Birds. New Republic, 13 April. 1963b. "Films of the Quarter. ...
Paris - Page 71
The material is not intended for articles, but will make up a book to be published in New York and Paris simultaneously. ...
more pages: 10 91 92 231
Munich - Page 231
London - Page 258
killing the innocent child who is carrying it through the streets of London, "He [Hitchcock] has long since concluded that people are enthralled by ...
more pages: 10 19 20 43 96 152 231
Vienna - Page 247
Waltzes from Vienna (A Tom Arnold Production, prod./rel. 1933). The Man Who Knew Too Much (A Gaumont-British Picture, prod./rel. 1934). ...
Film Making Our spring season sales start now. Check out our amazing prices!
www.glennmart.com
Sponsored Links
Alfred Hitchcock on DVD All 93 Uncut Episodes 3 Seasons on 18 DVDS
www.DVDMediaStar.com