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Comment Authority

Every few months, a new service comes out with their own WordPress plugin, to add their centralized service to the standard wordpress comments.  Dutifully, I try them all out, and inevitably decide that there's no value add for me.  A lot of this has to do with my relatively complex comment layout.  Most of these services aim to get as many members as possible, so they try to make installation as painless as possible, often at the cost of losing customization.   Most of them hook the comment's content.  Disqus, the newest fad, actually hooks & replaces comments_template(); forcing users to completely restyle their comment section.

The issue that most of these services seems to be trying to mediate is "truthiness" or "authority".  Assigning some sort of integer to the value that a commenter typically brings to a discussion.  The first such plugin that I tried was Buddycards, which were relatively non-invasive as far as layouts go.  The problem being that not enough people use the 30boxes service, or were willing to create another profile just to have an identity to map to their truthiness.

The next one I tried (that I remember) was SezWho.  All of my comments were imported there, so that users can claim their comments here, to obtain better karma elsewhere.  Disqus followed later this year, you can claim your comments at archgfx.disqus.com.   The problem with both of these is that the company's entire business revolves around comment authority, which is inherently tarnished by a profit motive.  If we can't trust the company, how can we map real trustworthiness to their scale of authority?

Centralized anti-spam services play largely the same game, and indeed disqus appropriately cuts out Akismet, Defensio, or any local spam prevention measures.  Ultimately, anti-spam services don't try (yet) try to merge disparate communities.  That's the biggest problem I see with comment authority - The authority I would have on a music blog is different from the authority I might have on a tech blog.  The comments I might leave on a feminist blog would be little more than conjecture or anecdote.

Ultimately, the reason that I, and most people choose to run our own blogging app, instead of using a hosted service like wordpress.com or blogspot, is that we don't want to be dependant on the standards and defaults of a larger, authoritarian group.  By removing the ability to customize, and normalizing the authority of commenters, commenting services like disqus take away the things I like about having my own blog, even while they attempt to mitigate the unpleasant elements of spam and trolls.  Anonymity and decentralization are linchpins in the present nature of the internet.

I haven't bothered installing Intense Debate or JS-Kit yet, because each new plugin from a non-reputable source is another security risk, as I allow it to rummage through my database for comment information, and email addresses of people who wordpress assured wouldn't be shared.

Buckshot Ep. 10: Feedreading

apophenia: knol: content w/out context, collaboration, capital, or coruscation.
Knol is something like a communal blog, it's closest competitor is about.com, not wikipedia.  Actually, with author-based archives, shared categories/tags, and embedded adsense, it's a lot like wordpress.com.  Given google's attrocious splog record with blogspot, i doubt they'll be doing as much competing as they think they will.
via Prunings - Chicago is inverting itself
It's a very interesting article on what's been happening to american cities since the 90's drop in crime.  I heavily doubt their predictions for the future, though.  The factors that drive people to the suburbs are still present, and haven't been entirely outweighed by the price of energy, nor will they be anytime soon.    Also, centralization benefits immigrants much more than it benefits the wealthy.  Immigrants aren't going to be taking over edge cities any time soon.  They'll be taking over other cities that aren't so expensive.
via Ian Dixon - ReadyBoost works.
Cool trick, my laptop runs faster now, much less likely to turn into molasses when I open photoshop and illustrator at the same time.  Nonetheless, making Vista a little bit faster only reminds me how slow it is on the whole.  I'd love to switch to the recently released OpenSuse 11, I just need the free time to do it.

Cinematic Nostalgia

Aside from the music, the next best thing about Austin is the Alamo Drafthouse.  It's kind of like Brew n' View at The Vic, except 1) it happens every night 2) they show first run movies as well 3) they have decent beer 4) they have great food.  Wesley WillisLast night we went there to check out Wesley Willis' Joyrides, a documentary about one of Chicago's musical exports.  To be honest, while he was legendary when I was in college, I never saw the man while he was alive.  I did seen plenty of his posters around town, though.  Much of the film centers around Genesis Art Supplies (which I frequented, but don't hold quite the same love for), and his family still living outside IIT, which I also frequented. The film is great because Wesley was great, but it was also a reminder of the harsh realities of chicago.

Last night's film, while familiar, didn't tug the homesick chord nearly as much as The Dark Knight did, though.  The first Christopher Nolan Batman film had some "hey, I've been there" moments, but it was mostly very CG-affected.  The Dark Knight, by contrast, lives in Chicago.  There are no odd jumps between distant places in the city;  scenes are in consistent places, when they leave one building, they move down real streets to neighboring buildings.  It was almost disturbing, in the sense that Batman wasn't in a fantasy world, he was in a very present time and place.  The last film to live this close to me was High Fidelity, although John Cusack could have been me or any of my friends (unlike Batman).  It's a testament to Nolan's film that the familiarity didn't disrupt the suspension of disbelief.

Heath Ledger as The Joker

Heath Ledger as The Joker

I loved the character arcs in Batman Begins, they felt very believable and human.  The Dark Night is much more straightforward in that sense, following the standard comic book patterns.  This film, then, works much harder to keep your attention.  The twists and turns of the plot more resemble Memento: more elements being added, takes more effort to keep up, which distracts you from the inevitability of the conclusion.  It's a great film, whether you're from Chicago or not.


A List Apart | The Survey 2008: I Took It


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